The fleeting and fragmentary aspect of this work is contrasted by the fact that the single elements are tied-up in a kind of netting; maybe this makes once again clear why the artist repeatedly compares her work with diary entries or sketches; formally this is expressed by the colours black and white, of course.
Each and every work is a little world, she says, which has to be discovered with the greatest attention.The „overall view“ of many works, the alleged duplication of a surface with „false shadows“ once again brings out the most important motivation of Marta Vezzoli:
Looking behind the facade and watching more closely!
Kay Brudy